Nepotism in Hollywood, a long-standing tradition of favouritism for the untalented and the inept...
The Coppola family, what's that all about? Ok, after George Bush was president of the U.S.A., people may have wondered whether his son might be able to perform an acceptable role wearing his same shoes. The answer is: obviously not. If Daddy was a fool, what made anyone think that Sonny would be any better? It is clearly not a family of geniuses, the way some might regard the Bach family. A similar theory can apply to the Coppola family, I believe. Francis Ford Coppola, I take my hat for you.
The Godfather Trilogy,
The Conversation and
Apocalypse Now are all very compelling pieces of audio-visual story-telling. No complaints there. Now, Sofia and Roman: either stop making films or grow some personality. What you are doing makes the word bland mitself seem fairly insipid.
Virgin Suicides was the film equivalent of toothless dog, whilst
Lost In Translation was amazingly overhyped for an incredible underachievement.
CQ was simply bad. Nicholas Cage? Well, at least he had the decency to show some shame and change his family name into the
"Cage" stage moniker. I respect that, even if his filmography
does include some very dubious titles. Marc Coppola, on the other hand, probably thinks that he
must be able to act, since everyone else at home is doing it... Shameless. What about Jason Schwartzman, I hear you ask. Well, let's put it bluntly: he's a drummer. He is
but a drummer.
An afterthought: And Christopher Coppola... well, no-one's heard of him, even though he has been directing for a while. Is that not a hint? Maybe he should take up gardening, or open a Petrol Station somewhere in Iowa.
The Paltrows? What the fuck?!?!? When did the Paltrow family become such a big deal in Hollywood? Gwyneth is adorable, I admit, and she has won an Oscar. But what is an Oscar these days but a much devalued figurine one can buy on Ebay? The Academy Awards are being bought and sold in the meat market, and no-one seems to care anymore. After all, David Lynch has never won one, and he is one the most important directors of the last twenty years. Same thing with Fritz Lang and Stanley Kubrick. Orson Welles, Akira Kurosawa, Federico Fellini, Robert Altman and Michelangelo Antonioni only got
Honorary Awards (the Academy's piss-poor excuse for a consolation prize, the equivalent of an unsigned note that reads:
We're sorry, we really fucked up, didn't we?) Yet, Gwyneth wins an Oscar and gets to shove her little brother into the Industry. Jake (the brother) directed the appalling -yet accurately named-
The Good Night, which sent more than one theatre full of people to sleep.
Why? Good Lord, why are we being punished? Gwyneth and Jake's parents were both in the Film Industry, their mother an actress, their father a director, but neither produced anything of special relevance.
So, I ask again, why? Why? An afterthought: The Coldplay connection makes me want to puke into a pint glass and drink it slowly, savouring every single moment.
Spelling S - P - E - L - L - I - N - G Aaron Spelling, clearly a man with a vision, regardless of whether we find that vision horrific and a distortion of everything that is good on Earth, has a daughter named Victoria "Tori" Spelling who -sorry about what I am about to say, but it is definitely true- is neither attractive to the eye nor a good actress. How -then- has she managed to appear so often on the TV screen, creating -as it were- a new form of visual pollution so strong and damaging that makes the Greenhouse Effect seem pitiable? Read this paragraph again and you should have little difficulty in finding the answer that question. Honestly, sometimes I wonder.
An afterthought: It is not that Tori is not very attractive. I believe it is the exact opposite: she is very
unattractive. Surgery, anyone?
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